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  • Date: October 03, 2015
  • Time: 21:00
  • Venue: The Bedford, CPSA
  • Location 126 Madras Street, Christchurch
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NOISIA with THE UPBEATS & DOSE

Thump, Bassfreaks & Dirty Ol Knights Presents:
Noisia NZ Tour 2015 CHC
with
Special Guests
The Upbeats & Dose

Original, emotional, visceral. These are all words that are used to describe Noisia’s music and each is more than justified. In less than a decade the Dutch trio, renowned for their unparalleled technical skill, has gone from releasing drum & bass on now defunct independent labels to crossing multiple genres, scoring for triple A video games, having their music used on trailers for Hollywood blockbusters and producing and remixing tracks for some of the world’s biggest artists.

Working from their studio in their hometown of Groningen Nik Roos, Martijn Sonderen and Thijs de Vlieger have gradually developed and cultivated a sound that’s all their own; a sound that’s obsessed with production techniques; a sound that’s instantly recognisable whether you’re hearing three minutes of a Noisia track dropped at a festival or three hours of it while playing Devil May Cry 5. Having pushed the envelope and successfully managed to blend incredible sound design with unrelenting and uncompromising beats and basslines, Noisia’s sound is undoubtedly unique.

In 2003 the trio released their first forays into drum & bass on underground labels such as American label Shadow Law Recordings and Glasgow-based Nerve. From there it wasn’t long before those at the top of the D&B scene began to take notice, as legendary imprints like Moving Shadow, Renegade Hardware, Subtitles and DJ Friction’s Shogun Audio all lining up for the latest Noisia release. In just two years the young Dutchmen had become the go-to producers for hard and heavy beats and had remixed one of the D&B scene’s biggest anthems, Konflict’s ‘Messiah’.

Taking the next logical step, the group decided to set up their own label. Having gained their name by reading an upside down VHS tape with the word ‘vision’ written on it, Noisia re-inverted polarities and Vision Recordings was born. Vision has played host to a series of Noisia’s best singles and EPs, including the anthems ‘Stigma’, ‘The Tide’, ‘Dustup’ and KRS One vocalled ‘Exodus’, meanwhile the group began forays into remixing the likes of Pendulum, Moby and Amon Tobin and producing tracks for other artists such as Foreign Beggars’ ‘Contact’ an incredible bass music/hip hop fusion which was way ahead of its time: All of which led to the release of their debut album ‘Split The Atom’ in 2010.

‘Split The Atom’ was a departure from the norm, featuring a wide range of sounds and styles, but all with that distinctive Noisia sound. This was a culmination of seven years of studio knowledge and musical experimentation and it was received with such resounding success that deadmau5 picked it up for a Special Edition re-release on his own mau5trap label. Packed with dance floor anthems and more subdued moments, ‘Split The Atom’ was a milestone in Noisia’s already glittering career.

Enlisted by the likes of Skrillex, Labrinth, deadmau5, Mark Knight ft. Skin and The Prodigy for remixes, Noisia’s career continues to grow as the Dutch trio have become one of the hottest DJ-production outfits around; a fact confirmed by numerous awards, including being voted Best D&B Act three times at the Beatport Music Awards. Noisia were commissioned to write three tracks for Korn’s album ‘The Path of Totality’ and have written and licensed music to video games including Devil May Cry 5, Wipeout 2048, Gran Turismo, Ridge Racer and SSX Snowboarding and blockbuster movie trailers, including the launch trailer of Transformers 3: Dark of the Moon.

Meanwhile the group continue to pay homage to their roots by signing and developing some of the most exciting bass music artists to their Vision, Division and Invisible labels, travelling the globe and destroying some of the biggest festivals and arenas in the world – from Coachella to their own Noisia Invites events at Amsterdam’s infamous Melkweg and their own hometown of Groningen. No matter what Noisia’s vision is clear, these incredible producer’s producers will always stick to their guns, pushing an uncompromisingly original, emotional and visceral sound.

THE UPBEATS


https://facebook.com/theupbeats

In today’s heady climate of bass-fuelled dance music it could easily be argued that producer-DJs are the new rock stars. Climbing into that mould with a pair of schoolboy grins on their faces, The Upbeats have already been playing that role for years. Their anything-goes live performances are renowned for mosh pits, topless dancers (sometimes women) and crowd surfing, while their approach to writing hard-hitting, unique-sounding drum & bass is lauded across the globe.

Nicknamed Terror Snake and Downie Wolf respectively, Jeremy and Dylan are not your average, boring producers. Meeting at school through mutual interests in surfing, skating and ‘being gangly teenagers’ Jeremy had to work hard to pull Dylan into the world of drum & bass. But, armed with a stack of Mickey Finn & Aphrodite mixtapes and an unrelenting attitude, the snake soon overcame the wolf’s natural propensity for rock music and, fortunately for us all, a love of fast breakbeats and low-slung basslines soon followed.

This love soon grew into a passion for creating their own music and by 2001 the pair were balls deep writing their own D&B. Fuelled by New Zealand’s isolation from the rest of the world and its staggering natural beauty, The Upbeats’ unique take on 170bpm+ bass music has seen the duo work alongside scene stalwarts such as Ed Rush & Optical, Bad Company, Hive, Gridlock, Bulletproof, TREi, State of Mind and Noisia while releasing tracks across a plethora of the D&B scene’s most respected record labels.

In the wake of such a prolific impact on the worldwide drum & bass scene, The Upbeats continue to push the boundaries. Working on producing an album for award-winning New Zealand live act Shapeshifter and collaborating with US bass music superstar Bassnectar this is set to be the most exciting season for The Upbeats yet, for precisely one reason: the duo’s forthcoming fourth studio album set to be released on Noisia’s increasingly imperial Vision Recordings.

Amongst the incredible list of singles for legendary D&B outlets like Ram Records, Virus, Commercial Suicide, Subtitles and Lifted Music, and production and remix credits for some of the hottest names around, from MSTRKRFT to the aforementioned Shapeshifter, The Upbeats have displayed where their true strength lies; releasing critically acclaimed, boundary pushing and excitement-inducing long players. From their debut album on New Zealand’s LOOP Recordings through their sophomore offering ‘Nobody’s Out There’ on Bad Taste to 2009’s ‘Big Skeleton’ released on their own Non Vogue imprint, The Upbeats have consistently impressed with a deep understanding of what makes a dance music album great.

Perennially packed with enough energy to rock the floor and backed up with genuine emotion and an infinite capacity to inject a taste of something different into their music, The Upbeats’ albums drag you deep into their own personal world of drum & bass. That’s a world which is infused with the duo’s sibling-like relationship, a propensity for having fun, unusual food combinations at breakfast time and an unnerving amount of insect-based facts. Not only are The Upbeats producers with studio skills, they’ve also got a few things which link them to all the best artists in history; bags of character, endless amounts of fresh ideas and a large dose of friendly rock star attitude.

Dose

Since his first release in 2006 Dose has forged and cemented a solid reputation as one of the top solo drum and bass artists to come out of New Zealand. Having consistently released his works on a vast spectrum of top Labels such Ram and Renegade and with his dj sets containing a well tasted & delivered selection of original and International content, Dose has built a well respected reputation as both a Headline DJ and as producer.
2014 will be the year Dose’s debut LP titled “Mind the Future” sees the light of release on Klute’s Commercial Suicide. With the sampler being released in March and full release set for mid-year this LP will give fans and champions of Dose’s music a broad and varied platter of his sound from driving and energetic to more deep and intimate style.
Dose is a unique talent who holds true to being great example of an underground artist who stands by his sound and his Technique and is embarking on a tour promote his LP across Europe, Uk, New Zealand and Australia from April – July this year.
Links for Audio / Mix’s
http://www.facebook.com/DoseMusicNz

http://www.youtube.com/user/nzdose